Can't tell you how chuffed to bits I am to have
appeared in Linedancer Magazine.
The
first time was in a feature article in Issue 86 (July 2003)

The
second time was in Issue 96 (May 2004) when I was very lucky to have a dance
published :-)
Bit of a story behind it's creation - I used to run an
Adult Education course on linedancing and, each year, my local council liked to
promote the various Performing Arts courses it runs by holding a Showcase
Evening where current students get a chance to show off all they've been
learning in an effort to encourage new students to sign up in September.
In 2002 I was asked to do a spot but none of my students were too keen. It's
one thing to linedance in a class atmosphere but to perform on a stage was
something they didn't want to do. I telephoned the Showcase organiser to tell
her Linedancing wouldn't be represented. Having visited one of my classes
herself she was very disappointed we wouldn't be joining in and asked if I could
show up and do something on my own anyway!! I think this lady missed the point
about linedancing somehow if she thought I could Showcase it on my own!
"Can't you get volunteers from the audience on the night and do a bit of
teaching?" she pleaded. Personally I couldn't see the entertainment value
in that nor did I want to run the risk of no one volunteering but she sounded so
desperate that I said I'd think of something and I'd be there on the night.
I mentioned my dilemma to some friends who thought the idea of getting the
audience to join in was a good one and suggested I think about writing a dance
that everyone could do. And that's how Sit In Line was born.
On the night, I took to the stage on my own, asked for the house lights to be
turned up, told the audience that linedancing was great fun to watch but even
more fun to actually do and proceeded to get the 100 or so people to join in.
I was the last "act" on that night and, according to the organisers,
it was a brilliant way to close the show. I had many people coming up afterwards
saying how much they had enjoyed the linedancing although I did assure them that
"real" linedancing meant being on your feet rather than on your bums
but that the "fun" factor was certainly a big part of it all. There
was a group of disabled adults in the audience and their support staff sought me
out afterwards thanking me for thinking of something that allowed their people
to join in with everyone else. To be honest, I hadn't even considered this
aspect when I wrote the dance - and me working with Special Needs Kids too!!!
As a result of Sit In Line, my Adult Education course did gain quite a few new
students. I also do the dance occasionally at
my club socials and it's always guaranteed to make people smile. And I know it's
also been used by a number of instructors when they've been asked to teach
children.
Now, if Linedancer Magazine would just wake up to the fact
that they've yet to publish Precious Time, an accepted Classic dance amongst
fellow instructors and taught internationally to beginners, then I will be a
very happy bunny!